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Archive for September, 2010

 

Just wanted to post these two image compilations I’ve recently come across on 2ch. Credit goes to the anonymous 2channelers who created them, I just translated the names. Above one shows some of Japan’s most important animators at a glance, the image below a compilation of illustrations and drawings by notable animators. Comes in handy if you want some information on a certain animator’s style. And by the way, while I usually write Japanese names with given name first and surname second, I used the customary Japanese manner (surname first, given name second) in these images so that they match the characters.

 

 

Since there’s no illustration by Yutaka Nakamura in above picture, how about this one:

 

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The new anime fall season is nearly upon us so I guess it’s time for my preview. As usual, it’s not about just mentioning each and every upcoming series, but about those I’ve some expectations for. Therefore, I’ll ignore most of those unwatchable cookie-cutter anime that make up a significant part of each season’s line-up. Sequels are excluded as well.
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These two K-ON! key animation collections sure are obligatory purchases if you’re interested in KyoAni‘s animation and want to find out how they breath life into the characters. They cover the most interesting cuts from episode 1 to 13 of the first season, with the only downside that they don’t name any animators and don’t display any time sheets. Of course, these books feature no extravagant action cuts but mostly KyoAni‘s low-key ‘everyday life’ character animation which happens to be the studio’s greatest strength. Among all of KyoAni‘s impressive work on TV series over the last six years, ‘K-ON!’ still stands out as the most interesting in terms of animation thanks to Yukiko Horiguchi‘s designs and her talent in directing the animation. With ‘K-ON! she found a nice balance between cartoony ‘Lucky Star’ aesthetics and the more realistically toned Kazumi/Shoko Ikeda designs. The animation style is somewhere between Shin-Ei Doga, Satoru Utsunomiya and the soft movement popularized by Tetsuya Takeuchi, which makes perfect sense, though. She started out working on a Shin-Ei Doga show after all, and she likes ‘Kamichu!’ (on which Takeuchi did quite some work) and like almost everyone else at KyoAni, she has been influenced by Yoshiji Kigami whose style can best be described as a cross between Shin-Ei Doga‘s philosophy and Utsunomiya. Anyway, I’ll write a follow-up post on KyoAni‘s animation directors and limit myself to just highlighting some of the most interesting shots from the book here, beginning with this one from the opening (bottom left shows the corresponding part of the storyboard):

 

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